On Writing: Who Lurks There? Friend or Foe? By Anna Dobritt

More great writing know-how from Anna Dobritt – Author! Who Lurks There? Friend or Foe? In another article, Getting to Know You, I covered the main character, your protagonist. Today I’m covering the bad guy. He or she is your antagonist. This person is responsible for making life difficult for your main character and the supporting characters. As you did with your main character, […] via … Continue reading On Writing: Who Lurks There? Friend or Foe? By Anna Dobritt

On Writing: Elements of a Scene, by Samantha House

Excellent post! Excellent source of resource material for writers. Make sure you follow the link to Jami Gold’s website. Miss this, and miss the writing boat! Originally posted on Samantha House: For those of you who follow me on Instagram you’ll have seen that I’m editing again. This time around I’ve been using the Elements of a Scene Worksheet by Jami Gold and freaking hell has … Continue reading On Writing: Elements of a Scene, by Samantha House

Practiced, Pitched, Punched

Well, I pitched to five agents during the SavvyAuthors September Pitch Fest. All five shot me down. Between them, they must have received over a thousand pitches. Some writers pitched to all of the agents (there were publishing house editors too, but I didn’t pitch to them). Out of the ninety requests from those agents for full or partial manuscripts, I was not one of … Continue reading Practiced, Pitched, Punched

Critique My Pitch: Part Four, A Wished-For Love

“Two dead women, a death in Vietnam, and an infant hastily given up for adoption stand between Aida and marriage to Tom, the man of her dreams.” This is the pitch I’m using in the pitch event over at SavvyAuthors blog. The Pitch Event runs through midnight 17 September. You may pitch to both agents and publishers. Continue reading Critique My Pitch: Part Four, A Wished-For Love

Critique My Pitch, Part Three: A Wished-For Love

“Decades after their tragic deaths, two women haunt the lives of two men broken by grief and a hasty adoption. One of the men finally comes to terms with his loss and finds love again. One cannot.” I didn’t provide a description of my story in previous posts, so I’ve added one here to help you critique my pitch. You’ll note there are two Susannas. … Continue reading Critique My Pitch, Part Three: A Wished-For Love

A Wished-For Love, Second Beta Review

I can’t count the times I’ve been asked by a writer to provide “an honest” critique or review of his work. Invariably, I think to myself, “What? I’m going to give you a dishonest review? I’m going to lie to you?” I think what they mean is they don’t want me to spare their feelings. I never ask for an honest critique. Last month, I … Continue reading A Wished-For Love, Second Beta Review

A Wished-For Love: First Beta Review

The last three weeks have been a pleasant vacation from writing and posting. The break presented an opportunity to catch up on chores and reading, both of which suffered from lack of attention. I needed to step away and take a breather after finishing the novel that consumed so much of my life since first putting pen to paper in December 2013. “A Wished-For Love” … Continue reading A Wished-For Love: First Beta Review

Editing — A Wished-For Love

I read constantly that editing is hard. No. Editing is not hard. Writing is hard. Editing is tedious. Excruciatingly boring. Gut-wrenchingly, the-sun-is-shining-for-the-first-time-in-weeks, birds-are-singing, optimism-is-everywhere, but-I’m-stuck-behind-this-desk-in-pursuit-of-my-laudable-goal, boring. Oh, look; Gone With the Wind is on TV! Oh, oh, oh! A Gilligan’s Island rerun marathon! Continue reading Editing — A Wished-For Love

Write Crisp – Word Choice

I apologize if the new title for my writing posts makes you hungry. I cannot stop thinking of Rice Crispies; does any cereal hold more sugar? As a ten-year old boy, I reached for unsweetened cereal in the cupboard. I wanted to choose the amount of sugar on my own. Some cereals tantalized my tongue with lots of added sugar, while others were delicious with … Continue reading Write Crisp – Word Choice

Write Tight? Or Write Crisp?

So, there I was, reading calmkate’s response to today’s Daily Prompt, Crisp, and, as is my wont, pondering ways to submit an outside-the-box response of my own. That led to a headache which made me stop thinking and make some tea (Stash brand Licorice Spice, BTW). Two tea bag tea, too (yeah, I know, but I drink tea out of a huge coffee mug). Writing … Continue reading Write Tight? Or Write Crisp?

Write Tight

Writer’s dilemmas are a part of writing. They occur with every well-thought out novel. If you don’t find yourself boxed in somehow, then you probably have not written a plot complex enough to grab the reader and hold her attention. Plots should resemble life in its complexities. They need twists and turns, unexpected outcomes, surprises, and falls from cliffs with protagonists clinging by fingertips to … Continue reading Write Tight

Mr. Grundy’s English Class

I often see writers use the term “aircrafts” when referring to two or more aircraft. “Aircraft” is the correct term for both singular and plural cases. Example the first: “The aircraft flew until it ran out of fuel. Then it made a sudden landing.” Example the second: “The aircraft were parked wingtip to wingtip making them easy targets for strafing by treacherous seagulls. It’s one … Continue reading Mr. Grundy’s English Class

Write Tight

Re-blogged from Cafe Reading Site. You don’t need the exclamation point if you convey your thought well enough in words. That is my goal. In my 90K word novel, I have no exclamation points. Let your characters’ actions speak for themselves. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose. If you have the … Continue reading Write Tight

Writing, and Phantom Stories

Nearly a year ago, I began submitting my novel, Honey Ko, to agents. In all, I queried about 65 agents, 24 of whom were kind enough to respond with a gentle “decline.” One agent’s response was so kind I imagined her typing my rejection while crying and feeling dreadful, just dreadful that she couldn’t represent me. I nearly responded with a “There, there. It’s okay. It’s … Continue reading Writing, and Phantom Stories

Pitching to Agents: My Duh Moment

Hello lovely people,   I received another polite frownie-button rejection email today. That brings me to five rejections from twenty-two submissions. That’s okay, though. I never expected my journey to be easy, and I expected rejections. That’s the way it is.   However, rejection doesn’t have to lead to dejection. I may feel otherwise if I reach one-hundred submissions without having an agent fly to … Continue reading Pitching to Agents: My Duh Moment

Pitching to Agents: Lessons Learned

Dear lovely people, I’ve submitted my query letter for Honey Ko to twenty-two literary agents  since May 9th. I’ve received four rejections so far, which is pretty good considering all agency websites inform you that, due to the high volume of submissions, they cannot respond to every submission. They tell you they can only respond if they want the writer to provide more information, as … Continue reading Pitching to Agents: Lessons Learned